Lots of people are obsessed with the ‘warmth’ of analog studio gear. Sure—it sounds fuller, more human, more present.

1. Impulse: 16 voices analog synth it has: 1, 2 or 4 oscillators in each voice. Two volume envelopes. 5 different oscillator waveforms. Waveforms effectively anti-aliased. Pulse width/diustortion. 4 different resonant filters. 2 LFO's with 8 different waveforms Portamento & Autobend. Stereo FX (Chorus, Flanger, Delay etc.) Overdrive.
2. FAW Circle SubLab v1.1.2 WIN & MacOSX Size 256 Mb SubLab A new class of synthesizer designed for hip-hop, future bass and trap genres. Create powerful 808 style sub-bass that sounds punchy on every speaker, every time. 808 bass and beyond Everything you need to create powerful and punchy sub-bass in minutes Sample, layer, widen, and distort any.
3. Impulse: 16 voices analog synth it has: 1, 2 or 4 oscillators in each voice. Two volume envelopes. 5 different oscillator waveforms. Waveforms effectively anti-aliased. Pulse width/diustortion. 4 different resonant filters. 2 LFO's with 8 different waveforms Portamento & Autobend. Stereo FX (Chorus, Flanger, Delay etc.) Overdrive.

Regards the delay what settings do you have in your preferences on the audio tab Take a screenshot and attach it Regards the different preset is this an existing project you have made with an earlier version of analog lab? Have you updated to the very latest analog lab 1.2.1.18 are the issues still there? Changing the max delay now doesn’t changes the delay unless the delay is higher than max delay; midi notes input no more changes the parameters; AnalogDelay is donationware i.e. You are free to decide yourself how much you want to pay for it, and when. The plugin is fully working but displays a nag screen when you (re)open the GUI.

But these days, modeling technology has become really good at simulating the effects of analog circuitry. Our computers and DAW apps are powerful enough to handle these VST workhorses.

So forget about spending tons of money on analog gear.

Here’s 7 VSTs (for both PC and Mac) that will give you that sweet analog warmth.

1. SGA1566 Tube Preamp
2. TDR Slick EQ
3. Ace Amp
4. Molot Compressor
5. Voxengo Tube Amp
6. MJUC jr. Compressor
7. Softube Saturation Knob

What’s all the analog fuss about?

Ok, so what does analog circuitry do to your sound? What’s everyone so obsessed about?

What people like about analog sound are the quirks and imperfections.

So when people talk about ‘warm analog sound’ they’re referring to:

• Subtle distortion and drive
• Harmonic distortion
• Tape Saturation
• Vacuum tubes
• Preamps

What these processes do to your sound is often hardly noticeable. That’s what the magic’s about—you won’t hear them, but they’ll make a huge difference in how your track sounds and feels.

The cumulative effect of analog processes is what people are gushing about.

1. SGA1566 Tube Preamp

Shattered Glass Audio’s SGA 1566 gives you a single channel vintage tube preamp. The whole circuit is simulated in real time to get you that authentic analog sound.

Use the SGA 1566 as a saturation compressor to boost the warmth of your track. Or add a bit of grit with the tube overdrive.

Classic Delay Vst Plugin

The newest version is also lighter on your CPU––so no computer freak outs!!

Download the SGA 1566 for free here.

2. TDR Slick EQ

“This little guy sounds amazing” –Dave Pensado

The TDR Slick EQ is a sleek easy-to-use three-band EQ that gives you amazing sound—like all Tokyo Dawn Records plugins.

Warm up your sound by choosing a non-linear option under Output Stage. That’ll add subtle harmonic distortion and texture.

/free-preset-synth-vst.html. Download the TDR SlickEQ for free here.

3. Ace Amp

Ace Amp—another Shattered Glass Audio creation—is based on classic 1950s style tube amps.

Control the input, volume, feedback, output. Choose between three resampling options.

This amp plugin has simple controls and doesn’t eat up your CPU.

Hot Tip: Try it on vocals for a cool aesthetic effect.

Download the Ace for free here.

4. Molot Compressor

Vladg’s Molot is a compressor with character. Even the vintage Soviet look is on point.

Analog Synth Vst

Molot will give your sound interesting color. I recommend reading the manual to learn how to tune it properly—it’s worth the read.

Download Molot for free here.

5. Voxengo Tube Amp

Voxengo’s Tube Amp gives you warm overdrive, fuzzy distortion and everything in between.

It imitates tube overdrive in the style of single-tube mic preamps.

Hot Tip: Use the low-pass filter to imitate the texture of lower-quality tubes.

Download Voxengo’s Tube Amp for free here.

6. MJUC jr. Compressor

Klanghelm’s MJUC jr. compressor is simple and elegant.

Use it for smooth compression or a heavier pumping effect. MJUC jr. is based on vintage compressors of the 1960s––it even looks like one.

Flip the ‘Time Constants’ switch to choose between slow, fast and auto. This changes the attack and release time. It affects other parts of the circuitry too, giving you interesting analog-style saturation.

Download the MJUC jr. for free here.

7. Softube Saturation Knob

This Saturation Knob is one the best free analog emulation plugins out there. Even Dave Pensado gives it two thumbs up!

Use it anywhere to add some character and distortion. Drag it on your vocal track to add shimmer.

The great thing about this one is how simple it is: literally one knob and a switch. Change the switch setting to choose between the kind of distortion you’ll get.

Download the Softube Saturation Knob for free here.

Fake It Till Ya Make It

These effects are the missing ingredient in your digital sound.

The key with analog emulation is to avoid overdoing it. Bring in the effect until you hear it, then dial it back a notch. It’ll still make a huge difference. Your sound will be fuller and warmer.

Use these plugins and people will be asking for your studio secrets in no time.

Make sure to grab the whole LANDR-approved free VST plugin collection: /best-arp-vst-free.html.

This amazing plugin pays tribute to the tape delays that changed the way music sounded forever. From the early EchoSonic pioneered by Ray Butts, Mike Battle’s Echoplex, to Ikutaro Kakehashi’s masterful Echo Chamber series, tape delays gave guitarists and organ players a new, exciting tool to use on stage and in the studio. Hearing this fluttering golden tone, it wasn’t long before studios, recording engineers, and producers wanted to make it part of their signature sounds.

In 1974, the music world was taken by storm, or rather, by space. An updated version of Kakehashi’s design, this time using standard 1/4' tape in a continuous, loose loop, and no reels, became the go-to favorite for musicians and producers. Finally, floaty, magic echo in a self-contained, reliable unit. It didn’t just sound great, it was versatile too. It had multiple delay patterns to create different rhythmic feels, EQ control to hone the delay’s tone, an integrated spring reverb, and - most famously of all - adjustable tape speed, letting it create otherworldly, haunting pitch changes in the delay.